Liszt
Her first love, and the composer of her orchestral debut: in 2024 she gave the first performance in Serbia of his Malediction.
Private lessons for every level, online, in English, Slovenščina, and Srpski.
Jana Stanišić is a young Slovenian-Serbian pianist who has performed extensively across Europe, with concerts in Serbia, Slovenia, Austria, Italy, Poland, and Croatia.
Her engagements include recitals, chamber music, and orchestral appearances. In 2024, she made her orchestral debut with Camerata Novi Sad, performing Liszt's Malediction for piano and string orchestra—the first performance of this work in Serbia.
Stanišić is currently in her third year of undergraduate studies at the Academy of Arts in Novi Sad, under Professor Milan Miladinović. She completed her secondary education at the Art Gymnasium Koper in Slovenia, studying with Professor Valentina Češnjevar. She has further refined her artistry through masterclasses with renowned pedagogues including Natalia Trull, Kemal Gekić, Sijavush Gadjijev, E. Tarasova, Markus Schirmer, and Cyprien Katsaris.
First prize, Tartini International Piano Competition · First prize, Banja Luka Biennale · First prize, Slovenian National Competition TEMSIG · First prize, Great Masters International Piano Competition · Special Prize, Kustendorf Classic · Second prize, Musica Goritiensis
Level, pace, and repertoire are yours to choose — first scales to conservatoire auditions, Bach to film scores. Ask her about Liszt or Scriabin, though, and expect the lesson to run long.
Her first love, and the composer of her orchestral debut: in 2024 she gave the first performance in Serbia of his Malediction.
The strange one. He heard chords as colour, and she will happily lose an hour explaining why the late sonatas sound like violet light.
A single 45-minute lesson online. No commitment, and nothing to prepare.
We find your level, then choose repertoire and a pace that fit your week.
Lessons over video, with a recording and written notes after each one.
“She hears things in my playing I didn’t know were there — then shows me how to mean them.”
“I came back to the piano after twenty years away. She started where I actually was, not where a syllabus said I should be.”
“We begin in English and drift into Serbian. Somehow both make me play better.”
Rates depend on lesson length and how often you play. We agree them together before your first lesson — just ask when you write.
A one-off, for a first meeting or when a single piece needs unpicking.
Book a trialThe steady rhythm most students settle into, with a recording and written notes after each lesson.
EnquireExam, audition, or competition preparation, at whatever pace the deadline demands.
Get in touchOne lesson, no commitment. Tell Jana a little about your playing and she will reply personally.
Prefer email? Write to hello@janastanisic.com.